Hands tied on hate
The Royal Commission has heard that Creative Australia relies on police and regulators to determine whether funded artists have breached the law.
Creative Australia has no power to investigate complaints that the artists and organisations it funds have engaged in antisemitism, racism or hate speech, and no policy setting out what to do when such a complaint is made, the Royal Commission heard last Friday.
Tim Blackwell, executive director of corporate resources and acting CEO of the federal government’s principal arts investment body, said the agency had “no ongoing monitoring or investigatory powers” and relied on law enforcement bodies such as the Australian Federal Police, ACMA and the eSafety Commissioner to determine whether conduct was unlawful before it could consider the impact on funding.
“We’re not an investigatory body. We don’t have classification and those sorts of powers,” he said, adding: “It is difficult for us to investigate with any compulsion.”
Under questioning from Counsel Assisting Zelie Heger, Blackwell agreed that none of the agency’s policies defined antisemitism, and conceded there was no codified policy setting out what should happen between a complaint being referred to police and a court reaching a determination.
“We don’t have a codified policy that sets out how we would refer something, say, to the Australian Federal Police.”

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