Unexpected resonance with contemporary themes

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When audiences settle into their seats for MLOC Theatre’s Australian premiere of The Pirate Queen this month, they’ll witness more than just a sweeping musical about a 16th-century Irish chieftain. They’ll see a deeply personal exploration of identity, resilience, and the courage to stand your ground.

At the heart of this milestone production is a performer whose own journey from Perth to Melbourne mirrors the themes of belonging and cultural connection that pulse through the show. “I was born in Perth and moved to Melbourne eight years ago, where I’ve found a real sense of belonging through both the arts and the Jewish community,” Jarod Rhine-Davis told The AJN ahead of opening night, and as MLOC prepares for its 80th anniversary celebration.

His path to The Pirate Queen began with music.

“I started out as a singer. Music was my first love. But over time, I realised that a song is just a monologue set to music, and that opened the door to acting,” he said.

This realisation led him to memorable roles including Quasimodo in The Hunchback of Notre Dame and Motel in Fiddler on the Roof, performances that showcased his talent for bringing depth to complex characters.

Rhine-Davis’ connection to Melbourne’s Jewish theatre scene runs deep.

“Over the years, I’ve performed in Jewish theatre with Saltpillar, taken part in many Purim Spiels, and worked with companies like Stars and the Moon,” he explained. “For me, storytelling, especially through theatre, has always been a way to explore identity, culture, and resilience.”

In The Pirate Queen, Rhine-Davis takes on the role of Dubhdara O’Malley, father to the legendary Gráinne O’Malley, the Irish pirate queen who defied the British crown.

“I play Dubhdara O’Malley, Gráinne’s father, a proud clan leader who supports his daughter’s strength, but also fears for what it might cost her. He’s caught between tradition and change, love and leadership,” Rhine-Davis explained.

The production itself represents a significant moment for Australian theatre. Created by the Jewish masterminds behind Les Misérables and Miss Saigon, Claude-Michel Schönberg and Alain Boublil, this marks the show’s Australian premiere and coincides with MLOC Theatre’s 80th anniversary milestone.

“There’s a strong sense of legacy and celebration behind this production,” Rhine-Davis noted.

What makes this production particularly compelling for Jewish audiences is its unexpected resonance with contemporary themes.

“For Jewish audiences, especially in this moment, the show will feel surprisingly resonant. It’s not overtly political, but it carries an emotional truth about survival and self-determination,” he said, explaining that the parallels aren’t lost on him. “It’s about holding onto who you are, even when the world tells you not to. That message feels more relevant now than ever.”

This connection between historical struggle and present-day experience infuses his performance with additional layers of meaning.

“I’m fascinated by characters who carry deep inner lives; people who are underestimated but resilient,” he explained, describing what draws him to roles like Dubhdara. “It’s a role full of nuance and heart, and it’s been a real privilege to bring him to life.”

For audiences preparing to experience this Australian premiere, Rhine-Davis promises “a big, beautiful, and moving experience. The music is powerful, the stakes are high, and the story is incredibly timely.”

While set in 16th-century Ireland, the universal themes of identity and heritage transcend historical boundaries.

“What makes The Pirate Queen so special is that it tells a powerful story without preaching,” Rhine-Davis said. “It’s about a woman who refuses to be written out of history, and the people around her who must choose whether to stand beside her or step aside.”

The Pirate Queen is at Frankston Arts Centre from July 11-19. More information and tickets.